AMERICAN THUNDER: NASCAR TO LE MANS

Role: Post Production Supervisor · DIT

Client: NASCAR Studios

Platform: Prime Video | Delivery: HDR / Dolby Atmos

45+ shoot days across the United States and Le Mans. Full set-to-delivery Post Production Supervisor — responsible for every decision about how ~150TB of media moved from camera to screen.

The pipeline: Fully remote finishing across three cities. Lead editor in Concord NC, colorist in Los Angeles, mix in Tampa. DaVinci Resolve Cloud project shared via LucidLink — matching calibrated monitors at both ends so color decisions landed the same way everywhere. First HDR and Atmos delivery of my career. Delivering to Prime Video is its own challenge — we got it right.

Camera package 5× ARRI Alexa 35 · 2× Sony FR7 · 2× Sony FX3 4× sound recordists · Le Mans, France DIT · Silverstack Lab Le Mans · Concord NC · Richmond VA · Austin TX StorNext SAN · Premiere Pro Productions Concord, NC · ~150TB original media On-prem editorial Race Editors · Concord, NC AEs · Concord, NC Remote editorial · Parsec RDP Lead Editor · Philadelphia, PA Story Editor · Washington State Tease/Open Editor · Los Angeles, CA Post Sup · Tarpon Springs, FL Online edit DaVinci Resolve Cloud Shared Resolve project via LucidLink Finishing editor Concord, NC Colorist Los Angeles, CA Mix Pine Point Post Tampa, FL · Atmos Prime Video delivery HDR · Atmos · On-prem Concord · Frame.io QC
Next
Next

Full Speed: The Daytona 500